Announcement 18th December 2011: Festspiele Mecklenburg-Vorpommern 2011

There is the best Radio-Hit for 18th December 2011 by my favourite radio stations:

NDR-Kultur (Germany, 128k)

21:05-23:00 GMT

Soirée

Festspiele Mecklenburg-Vorpommern 2011:
Brückenschlag „Hope’s Music“

Chamber Music Society of Lincoln Center New York:
Wu Han, Klavier /
Ani Kavafian und Daniel Hope, Violine /
Yura Lee, Violine und Viola /
Richard O’Neill, Viola /
David Finckel und Li-Wei Qin, Violoncello

Aufzeichnung vom 25. August 2011 in der Schönberger Kirche

Joseph Haydn: Streichtrio Nr. 1 G-Dur Hob. XVI: 40
William Bolcom: „Haydn-Go seek“ für Klaviertrio
Wolfgang Amadeus Mozart: Duo für 2 Violinen nach KV 423
Alfred Schnittke: Moz-art für 2 Violinen nach KV 416d
Robert Schumann: Klavierquintett Es-Dur op. 44

Die Reihe „Hope’s Music“ hat den Festspielen Mecklenburg-Vorpommern einen neuen Akzent gegeben und wird von ihrem Ideen- und Namensgeber Daniel Hope immer weiter ausgebaut.
Der Geiger Daniel Hope ist Künstlerischer Direktor der Festspiele Mecklenburg-Vorpommern und will mit diesem Schwerpunkt den musikalischen Austausch zwischen Amerika und Mecklenburg-Vorpommern fördern. In diesem Rahmen fanden auch im Sommer 2011 wieder mehrere „Brückenschlag-Konzerte“ statt, in denen Musikerinnen und Musiker aus den führenden amerikanischen Kultur-Institutionen Lincoln Center und Carnegie Hall zusammen mit Preisträgern der Festspiele Mecklenburg-Vorpommern aufgetreten sind.
Das „Brückenschlag-Konzert“ am 25. August 2011 in der Schönberger Kirche nun war gleichzeitig auch Bestandteil des zeitgleich stattfindenden Festivals „Schönberger Musiksommer“.


Introductory Clause:

Alfred Schnittke Moz-Art a' la Haydn



Alfred Garryevič Schnittke (Engels, 24 novembre 1934 -- Amburgo, 3 agosto 1998)
Moz-Art a' la Haydn
per due violini, due piccole orchestre d'archi e contrabbasso
Rainer Schmidt, Timea Ivan, violini
Camerata Accademica Salisburgo dir. Dennis Russel Davies
Moz-art à la Haydn (1977), partitura nella quale Alfred Schnittke fa confluire temi e abbozzi mozartiani prevedendo, per l'esecuzione, un'azione coreografica che coinvolga gli esecutori ispirata alla celebre Sinfonia "degli Addii" di Haydn.

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Announcement 16th December 2011: BBC Symphony Orchestra

There is the best Radio-Hit for 16th December 2011 by my favourite radio stations:

BBC 3 (UK, 128k)

19:30-22:00 GMT

Live from The Barbican Centre, London

Bartok: Dance Suite
Kurtag: .concertante. Op.42, UK Premiere

Sibelius: Symphony No.6
Sibelius: Symphony No.7

Hiromi Kikuchi (violin)
Ken Hakii (viola)
BBC Symphony Orchestra
Jukka-Pekka Saraste (conductor).

A burst of stamping, earthy energy from Bartok's Dance Suite sets this concert in motion, before the UK Premiere of a double concerto by Gyorgy Kurtag for violin and viola. The second half continues the BBC Symphony Orchestra's Sibelius Cycle with the 'cold clear water' of the Sixth Symphony and the stark loneliness of the Seventh.

Bartok's Dance Suite was written in 1923 to a commission to mark the 50th anniversary of the merging of the two cities of Buda and Pest into Hungary's capital. It was amongst the first of Bartok's popular successes, drawing on folk-music styles as diverse as Hungarian, Romanian and even Arabic. Kurtag's award-winning double concerto '.concertante.' has waited over eight years for its UK Premiere and is performed tonight by the work's dedicatees, the violinist Hiromi Kikuchi and violist Ken Hakii, along with a huge orchestra including a cimbalom and steel drum. The Finnish conductor Jukka-Pekka Saraste brings his Nordic expertise to this second instalment in the BBC Symphony Orchestra's Sibelius Symphony Cycle in the second half. Sibelius's Sixth Symphony was premiered in the same year as Bartok's Dance Suite - 1923 - and was supposedly described by the composer (who was no stranger to a drink) as pure spring water rather than a cocktail. The concert finishes with Sibelius's final completed symphony, his Seventh - a revolutionary work conceived in one continuous movement , and one of the last works he wrote, although he lived on another 33 years after writing it.


Introductory Clause:

Brahms Piano Quartet in G minor, Op. 25 - IV. Rondo alla Zingarese: Presto



Concert at the IJ-Salon Muziekgebouw on February 5th, 2011

piano Leif Ove Andsnes,
violin Liviu Prunaru,
viola Ken Hakii,
cello Godfried Hoogeveen

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Announcement 14th December 2011: Schumann

There is the best Radio-Hit for 14th December 2011 by my favourite radio stations:

Ylen klassinen (Finland, 192k)

23:30-00:10 GMT

Robert Schumann:
Op. 99, Bunte Blätter (1836–1849),

plays Arcadi Volodos


Introductory Clause:

Volodos at Schwetzingen 2007 [part one]



Heres a recital broadcasted on the BBC a few days ago of Volodos at the Schwetzingen Festival. His programme is -

Clementi: Sonata in F sharp minor, Op 25 No 5
Schumann: Waldszenen, Op 82.

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Announcement 13th December 2011: Claude Debussy

There is the best Radio-Hit for 11th December 2011 by my favourite radio stations:

ČRo D-dur (Czech Republic, 128k)

20:40-21:55 GMT

Claude Debussy:
Préludes: Book 1 and Book 2,

plays Ilja Hurník


Introductory Clause:

DEBUSSY.- Imágenes. Piano (1)



DEBUSSY.- Imágenes.

Reflejos en el agua
Homenaje a Rameau
Movimiento

Piano :ilja Hurnik
Imágenes
Las imágenes fueron concebidas por Claude Debussy como piezas para piano a cuatro manos o para dos pianos.
Originariamente el compositor las consideró piezas separadas. Hay escasa interrelación literal entre ellas y, de hecho, a menudo se las interpreta por separado.
Iberia -en sí misma una composición de tres movimientos- frecuentemente se escucha sola, en tanto que Gigas y Rondas de Primavera se ejecutan con menor frecuencia. El orden que Debussy estableció para su ejecución no es el orden de la composición.

La composición de la pieza orquestal Imágenes ocupó a Claude Debussy desde 1906 hasta 1912. Iberia quedó concluida el 25 de diciembre de 1908 y se estrenó el 20 de febrero de 1910 en los Concerts Colonne, en París, bajo la batuta de Gabriel Piemé. Rondas de Primavera quedó concluida el 10 de mayo de 1909 y se estrenó el 2 de marzo de 1910 en los Concerts Durand, en París, bajo la dirección del compositor. Gigas fue terminada, en una versión para dos pianos, el 4 de enero de 1909, pero la versión orquestal estuvo terminada en 1912, con la ayuda de André Caplet, que realizó gran parte de la orquestación debido a la mala salud del compositor. Caplet dirigió el estreno en los Concerts Colonne, en París, el 26 de enero de 1913.

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Announcement 11th December 2011: Liszt

There is the best Radio-Hit for 11th December 2011 by my favourite radio stations:

Radio Stephansdom (Austria, 128k)

21:00-22:00 GMT

Liszt, Franz (1811-1886)

Zuzana Ferjencíková

EXCELSIOR!, PRÄLUDIUM
MISSA PRO ORGANO
OFFERTORIUM AUS DER UNGARISCHEN KRÖNUNGSMESSE
AMAGYAROK ISTENE, "UNGARNS GOTT"
SLAVIMO SLAVNO SLAVENI!
INTROITUS
NUN DANKET ALLE GOTT, CHORAL
CONSOLATION: NR. 4 DES-DUR, ADAGIO; NR. 5 E-DUR
ÉVOCATION À LA CHAPELLE SIXTINE



Introductory Clause:

Liszt: Benedictus aus der ungarischen Kronungsmesse



Violin:Mauro Tortorella
Piano:Costantino Catena

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Announcement 10th December 2011: Opera, live from the Met

There is the best Radio-Hit for 10th December 2011 by my favourite radio stations:

BBC 3 (UK, 128k)

18:00-22:10 GMT

Gounod's Faust

Live from the Met

When the New York Metropolitan Opera opened in 1883 the very first opera to be staged was Gounod's Faust and it has been enormously popular there ever since. It tells the famous story of Dr Faust and how he sells his soul to the devil, Mephistopheles, in order to regain his youth. It's the opera that features in the plot of 'Phantom of the Opera' and it's music includes some very famous numbers, including the 'Jewel Song' and the Soldiers Chorus. Initially something of a failure, Gounod's Faust has been providing a great night out at the opera (and a great challenge to star singers) ever since its first revival in 1863 and will no doubt do so for many years to come.

Presented by Margaret Juntwait with guest commentator Ira Siff.

Faust.....Jonas Kaufmann (tenor)
Méphistophélès.....René Pape (bass)
Marguerite.....Marina Poplavskaya (soprano)
Valentin.....Russell Braun (baritone)
Wagner.....Jonathan Beyer (baritone)
Siébel.....Michèle Losier (mezzo-soprano)
Marthe Schwerlein.....Wendy White (mezzo-soprano)



New York Metropolitan Opera Orchestra and Chorus
Conductor.....Yannick Nézet-Séguin



Introductory Clause:

Charles Gounod "Faust" Air des bijoux (Juwelenarie)



live-recording May 2010 Pécs (Hungary)
Soprano: Nina Bernsteiner
Conductor: István Silló
Pannon Filharmonikusok

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Announcement 9th December 2011: Douglas

There is the best Radio-Hit for 9th December 2011 by my favourite radio stations:

France Musique (France, 128k)

19:00-21:30 GMT

En direct de la Salle Pleyel : Liszt, Wagner


Franz Liszt
Tasso lamento e trionfo S.96 (1874,1854)
Totentanz S.126 (1847, 1862)

Richard Wagner
Le Ring (1876, Ext.)


Barry Douglas, Piano
Avec la participation des stagiaires cordes du Conservatoire
Orchestre Philharmonique de Radio France
Alan Gilbert, Direction



Introductory Clause:

Barry Douglas plays Schubert Sonata B-dur D.960

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Announcement 8th December 2011: Rachmaninov

There is the best Radio-Hit for 8th December 2011 by my favourite radio stations:

Latvijas Radio 3 Klasika (Latvia, 128k)

21:05-22:10 GMT

Sergei Rachmaninov: Symphony No. 2 in E minor, Op. 27

Performer: Luxembourg Philharmonic Orchestra, conductor Vassily Sinaisky
Transmission of 2009 from Luxembourg


Introductory Clause:

Kissin, Rachmaninov piano concerto n.2, I. Moderato (part1)



The Rachmaninov C minor concerto, with Evgeny Kissin, accompanied by Sir Andrew Davis conducting the BBCSO

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Announcement 6th December 2011: Saint Petersburg Academic Symphony Orchestra

There is the best Radio-Hit for 6th December 2011 by my favourite radio stations:

Orfej (Russia, 128k)

16:00-17:30 GMT

Юбилею битвы под Москвой посвящается:

Концерт Заслуженного коллектива России Академического симфонического оркестра Санкт-Петербургской филармонии п/у Юрия Темирканова.

Солист - Денис Мацуев.

В программе: Симфония №7 Дмитрия Шостаковича и Концерт №1 для фортепиано с оркестром Сергея Прокофьева.

Запись из Большого зала московской консерватории от 20 ноября 2011 года

Saint Petersburg Academic Symphony Orchestra, conductor Yuri Temirkanov, from The Great Hall of Moscow Conservatory Transmission of 20. November 2011

Program:
Dmitri Shostakovich: Symphony No. 7 Leningrad
Sergei Prokofiev: Piano Concerto No. 1 in D-flat major, Op. 10
Solo - Denis Matsuev


Introductory Clause:

Denis Matsuev. S.Prokofiev Sonata for piano №7, Part I



Денис Мацуев. Сергей Прокофьев, соната для фортепиано №7 часть первая. Запись 1999г., Токио. Denis Matsuev. Sergei Prokofiev, Sonata for piano № 7 the first part. The record of 1999., Tokyo.

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Announcement 5th December 2011: LIVE: BBC National Orchestra of Wales

There is the best Radio-Hit for 5th December 2011 by my favourite radio stations:

BBC 3 (UK, 128k)

19:30-21:30 GMT

BBC NOW - Brahms, Mozart, Zemlinsky

Live from BBC Hoddinott Hall in Cardiff

Presented by Nicola Heywood Thomas

Martyn Brabbins conducts the BBC National Orchestra of Wales in youthful masterpieces by Mozart and Zemlinsky, plus Brahms' popular Variations on a theme by Haydn.

Mozart's third Violin Concerto marked a significant step forward for the young composer, still only 19. Written in Salzburg, it's an astonishing achievement of refined elegance. It's played by the young soloist Alexandra Soumm, one of the rising stars of Radio 3's New Generation Artist Scheme.

Zemlinsky was still a student when he wrote his first symphony. Completed in 1893 as he was finishing his studies at the Vienna Conservatoire, he conducted the premiere himself at the end of term concert. It immediately established the young composer as a master of orchestral colour with an assured sense of symphonic development - almost all of the musical material germinates from the seed of the first five notes.

Brahms was in the audience for that concert, and he immediately became a great champion of Zemlinsky's music. Twenty years earlier, his own Variations on the St. Anthony Chorale had a similar mastery, an impressive development of a simple theme into a joyous and inventive symphonic outburst. For Brahms it proved a vital stepping stone to the successful creation of his first symphony.

Martyn Brabbins returns to the BBC National Orchestra of Wales for the first time since their storming Proms success with Havergal Brian's Gothic Symphony in the summer.

Brahms Variations on a theme of Haydn Mozart Violin Concerto no.3 in G major K.216

20:20 Interval

Zemlinsky Symphony no.1 in d minor

Alexandra Soumm violin
Martyn Brabbins conductor.

Introductory Clause:

Rachmaninov - Symphony No. 2 in E Minor, Op. 27, Part 1



Tadaaki Otaka, BBC National Orchestra of Wales

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